The knives were out, and it was carving time.Īcross the board, reviewers called it the biggest horror stinker since John Boorman’s 1977 sequel Exorcist II: The Heretic. Shockingly, Berlinger had discarded the original’s aesthetic – a mix of spooky black-and-white 16mm and the ridiculous but effective shaky-cam – and shot big and wide in 35mm, resulting in a more cinematic effect. ![]() Credit: AlamyĢ0 years ago, critics lined up to kick Blair Witch 2 in the teeth. Kim Director and Erica Leerhsen in ‘Book Of Shadows: Blair Witch 2’. I admit it was a lofty goal for a sequel to a found-footage movie… maybe that was my mistake, nobody wanted to hear those things.” “It’s a satire on the dangers of blurring the lines between fiction and reality. Why not play with that idea?” he explains. “There was this real-life phenomenon, where the movie was super-successful and despite the evidence before their eyes, people were convinced it was real. It was fake news before fake news even existed.ĭuring our Zoom conversation to mark the 20th anniversary of Blair Witch 2, director Joe Berlinger says he wanted the sequel to make fun of - and interrogate - the hoopla. ![]() Released just before Halloween in 2000, Book of Shadows: Blair Witch 2 was the hotly anticipated follow-up to 1999’s The Blair Witch Project, a found-footage horror film which used then-pioneering Internet marketing and its students-lost-in-the-woods setup to essentially perpetuate a hoax – that what audiences were seeing on the big screen actually happened.
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